All of those different guitar sounds were basically achieved by me sticking a Shure 546 in front of an old brown Fender amp, and the different sounds of the different amps were down to Stephen. "When it comes to all the electric guitar parts on the early stuff, I'd love to take credit for being the brilliant engineer with Stephen,” Halverson remarks. "While Stills added some percussion, including a conga‑type sound at the end of the song that was attained by beating the back of his Martin guitar, he was also responsible for the various sonic textures that he created with the electrified instruments." "Next, Stephen laid down a bass part - recorded DI or with a Shure 546, the forerunner of the SM57 - and again this was at 15ips for a big, fat sound while going through one of the UA limiters." Stills did play bass on that track according to Bill Halverson the engineer quoted in the above article. Click to expand.Reeves wasn't around yet at this pointĬrosby, Stills & Nash ‘Suite: Judy Blue Eyes’ | Classic Tracks
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